The Ribbon Line Array news and information website with links to many other pro audio sites.
We highly recommend all of the AES papers listed. This cross section of works basically explains the most important fundamentals of line array theory. Many of the white papers are very well written and a little easier to understand. They give you the big picture and are good for those of us that don't need to see all the math. When it comes to the information put out by the line array manufactures themselves you should look at them with a critical eye. They are usually written to explain why certain engineering and design choices were made. Often the compromises are not explained as well as the performance benefits. But in order to stand the test of time a pro line array system must have the necessary performance. So learning about as many different companies systems as possible is an excellent idea.
How do you know if a loudspeaker really is a line array? First every loudspeaker is a compromise but you must follow the rules
Find out how many and what size the woofers/drivers are in each frequency section. (LF, Mids, HF)
Find out what the x-over frequencies are in each frequency section (LF, Mids,HF)
Now what the x-over frequencies should be by driver size
15" woofer 900 Hz - 450Hz 12" woofer 1130 Hz - 565 Hz
10" woofer 1360 Hz - 680 Hz 6" mid woofer 2260 Hz - 1130 Hz
2" (4" V.C.) compression driver 3390 Hz - 1695 Hz
3" (3" V.C.) compression driver 4520 Hz - 2260 Hz
1" (1.75" V.C.) compression driver 7750 Hz - 3875 Hz
80% or more of the line array baffle board should be covered with output devices/drivers.
If a "line array system" does not follow these rules it's not really a Line Array system. But there are few things that can help extend the performance of the HF drivers in a conventional system.
If you use ribbon drivers in a line array the High Frequency limit can be extended well beyond any other compression driver system. Ribbons have many inherent advantages the make them ideal choices for line arrays.
http://www.audioroundtable.com/misc/nflawp.pdf Line Array Design Guidelines, James Griffin
Renkus-Heinz A Fresh Approach to the Line Array- white paper
Martin Sound AES paper Line Array Performance at Mid and High Frequencies
JBL AES Paper Directional Charactoristics of Articulating Line Array Loudspeaker Systems Mark Engebreston
Martin Audio W8L Line Array white paper
Bose Panaray MA12 Modular Array Technical Foundation and Discussion
Syn-Aud-Con Line Array Limitations
Line Array Pictures Residential Systems
QSC Advanced Loudspeaker Tuning Techniques white paper
QSC Wideline Notes and Development white paper
AES-E Library Methods and Limitaions of Line Source Simulation
L-Acoustics Line Array Morphing white paper
Don Keele Loudspeaker arrays Constant Beam Transducers
DSP Beam Steering with Modern Line Arrays
AES paper David Scheirman Practical considerations for Field Deployment of Modular Line Array Systems
Martin Sound Advances in Line Array Technology for Live Sound
AES paper Mark Ureda Analysis of Loudspeaker Line Arrays
Line Arrays for Live Sound Stephen Bunting
SoundForums Line Array Resources multiple links
Line Arrays : Theory Fact and Myth white paper
Bose L1 white paper
NHK Japan Distance control of Sound Image using Line array Loudspeaker for Three- Dimensional Audio Visual System research paper
Line Array Wikipedia
Thoughts behind Line Arrays Links to company sites
EAW NTL720 Line Array System white paper
AES San Francisco 2010 Line Array paper list
IFBsoft Line-Array Simulation white paper
Meyer The Sound Lab Technical reports
PAudio High Frequency Line Array Devices 1 page white paper
Electro-Voice Line Arrays History and Theory white paper
The Relation between Active Radiating Factor and High Frequency Responses of Loudspeaker Line Arrays AES Paper Najing University
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This site has 3 Pages lastest updates: Sept. 21, 2011